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Bauer plays an ex-con who is currently operating a burglary ring with his slimy cohort David Caruso. Caruso is a valet parking attendant who alerts Bauer when wealthy patrons are at his restaurant and, thus, not home. Bauer then descends on the unoccupied houses, making off with artwork, jewelry and other treasures, usually in the $100K range per pop, which was a fair amount of dough in 1984, the year of the film’s release.
John Getz and Barbara Williams play a married couple whose spark has left their relationship. He’s a children’s book author/illustrator and she’s a
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When Bauer comes to their home to pilfer everything of value, naturally he takes th
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One day, they meet “accidentally” at a small grocery store where he knocks all of
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Caruso is only interested in robbing more houses (the money from said enterprise mostly going up his nose in c
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Eventually, Bauer hires Williams to redecorate his mammoth loft, thus affording h
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However, what eventually turns
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It goes without saying that their sexcapades
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Her husband Getz begins to suspect that something isn’t right. First, his wife shows up after a business meeting with sunburn in the shape of bra-str
aps. (Even the viewer should be puzzled by this as she was wearing a heavy sport coat and a flouncy silk blouse on the boat!) Then she won’t let him see the things she’s writing in her diaries. He confides his suspicions to his obese beer & tennis pal George Wendt and they decide to check out Bauer’s background. Wendt (on Cheers at the time) was big even then, struggling to walk up a hillside without passing out, but I can’t pick on the man too much. He told my best friend (female) and me last year that he had never witnessed two people have more fun on a dance
floor than we were having that night and I imagine he’s seen a lot of people dance at one bar or another!
Things start to come to an ugly end when Getz figures out who Bauer is while, at the same time, Caruso is angry at Bauer for ceasing the periodic night raids. Williams is distraught at the fact that her dream lover is not what he appears to be. (In yet another insanely hilarious script detail, Bauer had claimed to be heir to a school supply company!)
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Things start to come to an ugly end when Getz figures out who Bauer is while, at the same time, Caruso is angry at Bauer for ceasing the periodic night raids. Williams is distraught at the fact that her dream lover is not what he appears to be. (In yet another insanely hilarious script detail, Bauer had claimed to be heir to a school supply company!)
Things return to the beginni
ng in a way when Getz and Williams come home from an evening out (again at Caruso’s restaurant!) and hear a prowler upstairs. This time, however, Williams has had a little bit of training with a gun (in between the fondling and fornicating that the arousing shooting lessons led to!) Not everyone in the story is going to enjoy a happy ending.
Bearing the extraordinarily surprising production credits of Don Simpson and Jerry Bruckheimer (the gentlemen who brought the world Beverly Hills Cop and its sequel, Top Gun, Days of Thunder, Crimson Tide and The Rock), it should be noted that they first had worked together on Flashdance. Taking that into consideration, it’s less of a jolt.
Bauer had just made a splash the prior year in Scarface as Al Pacino’s right-hand man
(scoring a Golden Globe nomination) and seemed poised for big things in the cinema, but it wasn’t really to be. A stormy marriage and divorce from Melanie Griffith and other issues kept him from realizing his full potential. It must be said, though, that he stayed pretty busy nonetheless and won a SAG Award as part of the ensemble of Traffic in 2000. He’s busier now than ever, with roles
of one size or another in TWELVE different 2010 films! It’s a logical progression that he got naked in this film when you note that in the publicity shots for Scarface, the corona of his penis head was visible through his pants! The director of that film, Brian de Palma, used Bauer again in 1992's uneven Raising Cain and Bauer also had a teeny part in de Palma's Body Double, which starred his then-wife Griffith.
Canadian Williams hasn’t had quite as much success, but has also kept pretty busy over the years in many TV
and movie projects. She married political activist Tom Hayden, who had previously been married to Jane Fonda, in 1993 and, like he did with Fonda, he and Williams adopted a child (he and Fonda also had a son together naturally, actor Troy Garity.) Some reviewers have cited a resemblance to Barbra Streisand or Jennifer Grey. For some reason, I can never quite get it through my head that I’m not watching Patti Lupone in the movie!
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Bearing the extraordinarily surprising production credits of Don Simpson and Jerry Bruckheimer (the gentlemen who brought the world Beverly Hills Cop and its sequel, Top Gun, Days of Thunder, Crimson Tide and The Rock), it should be noted that they first had worked together on Flashdance. Taking that into consideration, it’s less of a jolt.
Bauer had just made a splash the prior year in Scarface as Al Pacino’s right-hand man
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Canadian Williams hasn’t had quite as much success, but has also kept pretty busy over the years in many TV
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Getz (who had starred in The Coen Brothers' cult favorite Blood Simple this year as well) went on t
o roles in many TV shows and in movies such as The Fly and its sequel as well as the cinematic milestones Men at Work (with Charlie Sheen and Emilio Estevez) and Don't Tell Mom the Babysitter's Dead. He's been a familiar face on popular shows such as Mad Men, Grey's Anatomy, Prison Break and Criminal Minds. In this flick, he has a sort of doughy John Ritter quality.
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Caruso, of course, later had a massive TV hit in NYPD Blue u
ntil he famously left it in midstream to pursue a big-screen career. That avenue having gone awry rather swiftly, he was back on TV in 2002 where he has successfully remained ever since on the series CSI: Miami. Interestingly, his greatest successes on television have been as policemen of some sort while in films he's been most effective when playing slimeballs!
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Appearing in a smallish supporting role is Christine Ebersole as Willia
ms design firm partner, a sexually hungry woman who encourages the affair. In what has to be one of the all-time contrasts, she had also appeared that year in the Oscar-winner for Best Picture Amadeus! In the scene that features their amazing design work, a kitchen is shown in which it’s next to impossible to find any of the appliances!! Very innovative. You go to open the refrigerator and can’t locate it. I haven’t studied it all that heavily, but I also never saw a sink and I believe the stools look quite insecure and uncomfortable.
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On an entirely different note, this entry marks the 100th time that I have put forth my babblings for your alleged enjoyment. It’s hard to believe that I have made that many posts, but the co
mputer doesn’t lie! Actually, I would love to do more, but it is increasingly more difficult to steal the time to devote to this. My company is minus 30% of its staff now and I’m busier and busier with each day. Sadly, for The Underworld, I usually prefer not to work on it very much when I’m home. In any case, thanks, as always, for reading! I still, believe it or not, have plenty of topics to blather on about. It’s something of an accomplishment, I think, that, as a gay man, I made it through 100 posts without mentioning Steel Magnolias and only today mentioned Barbra fleetingly for the first time (I think!) and have only one tag for Judy Garland. Wow.
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